Like most lens decisions, it's important to understand which focal length will suit your specific needs best. The Biggest Differentiating Factor – Focal LengthĬanon's L-series tilt-shift lenses – denoted by a TS-E prefix – range in focal lengths from an ultra-wide 17mm to a moderately short telephoto 135mm. Note: All tilt-shift lenses are manual focus only and none feature weather sealing. These abilities allow for a photographer to correct perspective distortion in-camera (through shift) or change the plane of sharp focus (through tilt). If you're unfamiliar with tilt-shift lenses, first check out are article, "What is a Tilt-Shift Lens?"Īside from an L-series build quality and extremely high image quality, the standout feature of these lenses is the ability to tilt and/or shift the optics in relation to the imaging sensor. For the purpose of this comparison, we're excluding the older Canon TS-E 45mm f/2.8 and TS-E 90mm f/2.8 lenses as we're uncertain how much longer they will be available. Therefore, we're going to explore what differentiates these lenses and what each will be good for to aid in your decision-making process. But with so many lenses to choose from, it may be difficult to narrow one's decision own to the right choice. With the introduction of three L-series tilt-shift lenses in August 2017, Canon can now has the largest and most varied selection of tilt-shift lenses available in the full-frame camera market. Canon USA Refurbished Mirrorless Cameras Now In Stock and On Sale.Sale On: Save 25% on Topaz Photo AI and Video AI.Lowest Price Ever: Save $700.00 on the Sony a7 III at B&H, Plus $50.00 MIR, Free Battery, Memory Card, and Case.In Today's B&H Deal Zone: Synology, Lexar, Gitzo, More Payboo Deal Extended.Canon and Sony Dominate the Lensrentals Top 20 Lists for 2023.Leave No Regrets - The Great Canon Instant Savings Deals End Sunday!. Less Than Half Price: Capture One Pro 23 is On Sale for Only $139.00 at B&H (Reg $299.00).One thing I appreciate is how compact it is. One thing I really miss is turning knob like on the tse. Clients (architects) don’t do that : they look at the picture as a whole and that’s it. One thing I notice is with the GFX I love zooming in 100% on my shots and be amazed at how much detail is captured. And as wide as using the 24 on gfx with no vignetting. Of the shift options I tested on the x-t line, only the last is good enough. But pricey, not as fun to shoot as the X line in general, and big. The GFX is in another league, you can crop for ever. xt1 xt4 with fotodiox shift adaptor and laowa 12 2.8 zero D (not as good as gfx24tse, but I highly doubt any client will ever complain about IQ with that setup) xt1 with laowa 15 4 macro shift and cheap adaptor (okish to try shift out but not good enough for proper results) xt1 with canon tse24 and cheap adaptor (not good, it may be a bad adaptor) GFX50r with canon tse 24 and fancy smart adaptor (outstanding, but vignettes when pushed) I’ll answer my own question if it’s any use to anyone in the future. They don't have enough image circle to make a shift adapter worthwhile anyways, you really need a lens with FF coverage to make this viable (no EF-S lenses for example, only EF) You can't stack adapters to do this with your Fuji lenses though. You certainly could use the Laowa 12mm in EF mount and an EF mount shift adapter, that would actually be a better choice than the 15 as a replacement for the 17 TS-E (I mention the 15 solely because I own it and have experience with it, I bought it for my FF Nikon DSLR). Macro focusing on a UWA allows for some truly unusual compositions and is an absolute ton of fun if you can live with a MFD that is less than 1cm from the front element. I have no idea why they added the shift feature, as it's APS-C only, but they did and it's useful. Laowa specializes in producing lenses with unusual close-focus properties (their regular macro lenses all go to 2:1 magnification for example). The Laowa 15mm f4 is kind of a bucket of everything lens.
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